Whether originating in Brooklyn, Oakland, Atlanta, Houston, Memphis or elsewhere, much hip-hop music is built upon pride of place.
Geographic identity is key, as artists represent their cities (in 2009, Jay-Z released “Empire State of Mind,” a tribute to New York), their neighborhoods (N.W.A.’s “Straight Outta Compton” arrived in 1988), and even their streets (“S.O.U.T.H. Parkway,” a Gangsta Blac track, debuted in 1999).
This week, inside Connect Music, a sprawling distribution-company headquarters and event space on Vance Avenue near Downtown, 28 Memphis young people, ages 10 to 16, reversed that historic connection. Hip-hop might be built on place, but these kids built places out of hip-hop, constructing dioramas of cityscapes inspired by the lyrics of songs by such artist as Lauryn Hill, Tupac and the Notorious B.I.G.